Comparing a photo I took in the Pantheon in Paris to Escher’s drawing of St. Peter’s in Rome.


Comparing a photo I took in the Pantheon in Paris to Escher’s drawing of St. Peter’s in Rome.


Abba Anthony said, “A time is coming when men will go mad, and when they see someone who is not mad, they will attack him saying, ‘You are mad, you are not like us.'”
an astounding version of an astounding song written by the great Abbey Lincoln



The language of descent is either learned by mid-life (normally through suffering and the experience of powerlessness), or we inevitably move into a long day’s journey of accusing, resentment and negativity, circling our wagons as the hurts and disappointments of life gather round us: “I am right and others are wrong. I have a right to my judgments and I will continue to use valuable energy to justify them.” I have visited too many old men and retired priests in nursing homes to doubt this common pattern. When mid-life no longer allowed them to ascend or to deny their dark side, far too many men shut down or kept running. The price is a world of men who do not age well, who are emotionally, spiritually, intellectually unavailable – or just eccentric. These are the dads, priests and leaders we all laugh about but seldom take seriously.
– Richard Rohr, from The Wild Man’s Journey
I’m really happy to see one of my drawings on the cover of the May issue of High Shelf magazine – go to http://www.highshelfpress.com to purchase. The cover drawing is part of a collection called Who Are You Today?


Today it was just a dry leaf that told me
I should live for love.
It wasn’t the six birds sitting like little angels
in the white birch tree,
or the knife I use to carve my pear with.
It was a leaf, that had read Tolstoi, and Krishnamurti,
that had loved William James,
and put sweet Jesus under him where he could be safe forever.
“The world is so bright,” he said. “You should see the light.”
“We are born without defenses, both babies and leaves.”
“The branch is necessary but it’s in the way.”
“I am not afraid. I am never afraid.”
The he stretched his imaginary body
this way and that.
He weighs half a gram, is brown and green,
with two large mold spots on one side, and a stem
that curls away, as if with a little pride,
and he could be easily swept up and forgotten,
but oh he taught me love for two good hours,
and helped me with starvation, and dread, and dancing.
As far as I’m concerned his grave is here
beside me,
next to the telephone and the cupful of yellow pencils,
under the window, in the rich and lovely presence
of Franz Joseph Haydn and Domenico Scarlatti and Gustav Mahler
forever.

Photo: Grindstone, Maine – September 2019