The Journey by James Wright

Anghiari is medieval, a sleeve sloping down  
A steep hill, suddenly sweeping out
To the edge of a cliff, and dwindling.
But far up the mountain, behind the town,  
We too were swept out, out by the wind,  
Alone with the Tuscan grass.

Wind had been blowing across the hills
For days, and everything now was graying gold  
With dust, everything we saw, even
Some small children scampering along a road,  
Twittering Italian to a small caged bird.  
We sat beside them to rest in some brushwood,  
And I leaned down to rinse the dust from my face.

I found the spider web there, whose hinges  
Reeled heavily and crazily with the dust,
Whole mounds and cemeteries of it, sagging  
And scattering shadows among shells and wings.  
And then she stepped into the center of air  
Slender and fastidious, the golden hair
Of daylight along her shoulders, she poised there,  
While ruins crumbled on every side of her.  
Free of the dust, as though a moment before  
She had stepped inside the earth, to bathe herself.

I gazed, close to her, till at last she stepped  
Away in her own good time.

Many men
Have searched all over Tuscany and never found  
What I found there, the heart of the light  
Itself shelled and leaved, balancing  
On filaments themselves falling. The secret
Of this journey is to let the wind  
Blow its dust all over your body,
To let it go on blowing, to step lightly, lightly
All the way through your ruins, and not to lose
Any sleep over the dead, who surely  
Will bury their own, don’t worry.

Atomic Dawn by Gary Snyder

The day I first climbed Mt. St. Helens was August 13, 1945.

Spirit Lake was far from the cities of the valley and news came slow. Though the first atomic bomb was dropped on Hiroshima August 6 and the second dropped on Nagasaki August 9, photographs didn’t appear in the Portland Oregonian until August 12. Those papers must have been driven in to Spirit Lake on the 13th. Early the morning of the 14th I walked over to the lodge to check the bulletin board. There were whole pages of the paper pinned up: photos of a blasted city from the air, the estimate of 150,000 dead in Hiroshima alone, the American scientist quoted saying “nothing will grow there again for seventy years.” The morning sun on my shoulders, the fir forest smell and the big tree shadows; feet in thin moccasins feeling the ground, and my heart still one with the snowpeak mountain at my back. Horrified, blaming scientists and politicians and the governments of the world, I swore a vow to myself, something like, “By the purity and beauty and permanence of Mt. St. Helens, I will fight against this cruel destructive power and those who would seek to use it, for all my life.”

cooperation in violence

The rush and pressure of modern life is a form, perhaps the most common form, of its innate violence. To allow oneself…to surrender to too many demands, to commit oneself to too many projects, to want to help everyone in everything, is to succumb to violence. More than that, it is cooperation in violence.

– Thomas Merton, Conjectures of a Guilty Bystander

Too Clear

Some things are too clear to be understood, and what you think is your understanding of them is only a kind of charm, a kind of incantation in your mind concerning that thing.

This is not understanding: it is something you remember. So much for definition! We always have to go back and start from the beginning and make over all the definitions for ourselves again.

– Thomas Merton

Monologue of a Dog Ensnared in History – Wislawa Szymborska

There are dogs and dogs. I was among the chosen.
I had good papers and wolf’s blood in my veins.
I lived upon the heights inhaling the odors of views:
meadows in sunlight, spruces after rain,
and clumps of earth beneath the snow.

I had a decent home and people on call,
I was fed, washed, groomed,
and taken for lovely strolls.
Respectfully, though, and comme il faut.
They all knew full well whose dog I was.

Any lousy mutt can have a master.
Take care, though — beware comparisons.
My master was a breed apart.
He had a splendid herd that trailed his every step
and fixed its eyes on him in fearful awe.

For me they always had smiles,
with envy poorly hidden.
Since only I had the right
to greet him with nimble leaps,
only I could say good-bye by worrying his trousers with my teeth.
Only I was permitted
to receive scratching and stroking
with my head laid in his lap.
Only I could feign sleep
while he bent over me to whisper something.

He raged at others often, loudly.
He snarled, barked,
raced from wall to wall.
I suspect he liked only me
and nobody else, ever.

I also had responsibilities: waiting, trusting.
Since he would turn up briefly, and then vanish.
What kept him down there in the lowlands, I don’t know.
I guessed, though, it must be pressing business,
at least as pressing
as my battle with the cats
and everything that moves for no good reason.

There’s fate and fate. Mine changed abruptly.
One spring came
and he wasn’t there.
All hell broke loose at home.
Suitcases, chests, trunks crammed into cars.
The wheels squealed tearing downhill
and fell silent round the bend.

On the terrace scraps and tatters flamed,
yellow shirts, armbands with black emblems
and lots and lots of battered cartons
with little banners tumbling out.

I tossed and turned in this whirlwind,
more amazed than peeved.
I felt unfriendly glances on my fur.
As if I were a dog without a master,
some pushy stray
chased downstairs with a broom.

Someone tore my silver-trimmed collar off,
someone kicked my bowl, empty for days.
Then someone else, driving away,
leaned out from the car
and shot me twice.

He couldn’t even shoot straight,
since I died for a long time, in pain,
to the buzz of impertinent flies.
I, the dog of my master.

Ask Me, William Stafford

Some time when the river is ice ask me
mistakes I have made. Ask me whether
what I have done is my life. Others
have come in their slow way into
my thought, and some have tried to help
or to hurt: ask me what difference
their strongest love or hate has made.

I will listen to what you say.
You and I can turn and look
at the silent river and wait. We know
the current is there, hidden; and there
are comings and goings from miles away
that hold the stillness exactly before us.
What the river says, that is what I say.

West Branch of The Penobscot, February 2019

just one more war (Saturday reprise)

I have learned that an age in which politicians talk about peace is an age in which everybody expects war: the great men of the earth would not talk of peace so much if they did not secretly believe it possible, with one more war, to annihilate their enemies forever. Always, “after just one more war” it will dawn, the new era of love: but first everybody who is hated must be eliminated. For hate, you see, is the mother of their kind of love.

Unfortunately the love that is to be born out of hate will never be born. Hatred is sterile; it breeds nothing but the image of its own empty fury, its own nothingness. Love cannot come of emptiness. It is full of reality. Hatred destroys the real being of man in fighting the fiction which it calls “the enemy.” For man is concrete and alive, but “the enemy” is a subjective abstraction. A society that kills real men in order to deliver itself from the phantasm of a paranoid delusion is already possessed by the demon of destructiveness because it has made itself incapable of love. It refuses, a priori, to love. It is dedicated not to concrete relations of man with man, but only to abstractions about politics, economics, psychology, and even, sometimes, religion.

– Thomas Merton

Sweetness by Stephen Dunn

Just when it has seemed I couldn’t bear 
   one more friend 
waking with a tumor, one more maniac 

with a perfect reason, often a sweetness 
   has come 
and changed nothing in the world 

except the way I stumbled through it, 
   for a while lost 
in the ignorance of loving 

someone or something, the world shrunk 
   to mouth-size, 
hand-size, and never seeming small. 

I acknowledge there is no sweetness 
   that doesn’t leave a stain, 
no sweetness that’s ever sufficiently sweet …. 

Tonight a friend called to say his lover 
   was killed in a car 
he was driving. His voice was low 

and guttural, he repeated what he needed 
   to repeat, and I repeated 
the one or two words we have for such grief 

until we were speaking only in tones. 
   Often a sweetness comes 
as if on loan, stays just long enough 

to make sense of what it means to be alive, 
   then returns to its dark 
source. As for me, I don’t care 

where it’s been, or what bitter road 
   it’s traveled 
to come so far, to taste so good.