On the Feast of St. James the Greater (for Joe C., who died on this day in 2000)

striped bass

On the Feast of St. James the Greater
(for Joe C.)

This is where
he would have fished

imagine
him in the dark

gathering gear
stripers transfiguring

the moon’s
light he loses

all balance and
bearings thunder

muffling the dry
night sky

what we heard
is in the mist

blowing over
Ram Island

disappearing
like walks

we’ll never take

Juan Higera Creek -Robinson Jeffers

Juan Higera Creek

Neither your face, Higera, nor your deeds
Are known to me; and death these many years
Retains you, under grass or forest-mould.
Only a rivulet bears your name: it runs
Deep-hidden in undeciduous redwood shade
And trunks by age made holy, streaming down
A valley of the Santa Lucian hills.
There have I stopped, and though the unclouded sun
Flew high in loftiest heaven, no dapple of light
Flecked the large trunks below the leaves intense,
Nor flickered on your creek: murmuring it sought
The River of the South, which oceanward
Would sweep it down. I drank sweet water there,
And blessed your immortality. Not bronze,
Higera, nor yet marble cool the thirst;
Let bronze and marble of the rich and proud
Secure the names; your monument will last
Longer, of living water forest-pure

The Way It Is by William Stafford

There’s a thread you follow. It goes among
things that change. But it doesn’t change.
People wonder about what you are pursuing.
You have to explain about the thread.
But it is hard for others to see.
While you hold it you can’t get lost.
Tragedies happen; people get hurt
or die; and you suffer and get old.
Nothing you do can stop time’s unfolding.
You don’t ever let go of the thread.

you must go on

…you must say words, as long as there are any, until they find me, until they say me, strange pain, strange sin, you must go on, perhaps it’s done already, perhaps they have said me already, perhaps they have carried me to the threshold of my story, before the door that opens on my story, that would surprise me, if it opens, it will be I, it will be the silence, where I am, I don’t know, I’ll never know, in the silence you don’t know, you must go on, I can’t go on, I’ll go on.

Samuel Beckett, The Unnamable

India, photo by Autumn Schulz

Home by Mosab Abu Toha

What is home:
it is the shade of trees on my way to school
    before they were uprooted.
It is my grandparents’ black-and-white wedding
    photo before the walls crumbled.
It is my uncle’s prayer rug, where dozens of ants
   slept on wintry nights, before it was looted and
   put in a museum.
It is the oven my mother used to bake bread and
   roast chicken before a bomb reduced our house
   to ashes.
It is the café where I watched football matches
   and played—

My child stops me: Can a four-letter word hold
   all of these?

Pain teaches…

Pain teaches a most counterintuitive thing—that we must go down before we even know what up is. It is first an ordinary wound before it can become a sacred wound. Suffering of some sort seems to be the only thing strong enough to destabilize our arrogance and our ignorance. I would define suffering very simply as “whenever you are not in control.”

All healthy religion shows you what to do with your pain. If we do not transform our pain, we will most assuredly transmit it. If your religion is not showing you how to transform your pain, it is junk religion. It is no surprise that a crucified man became the central symbol of Christianity.

If we cannot find a way to make our wounds into sacred wounds, we invariably become negative or bitter—because we will be wounded. That is a given. All suffering is potentially redemptive, all wounds are potentially sacred wounds. It depends on what you do with them. Can you find God in them or not?

If there isn’t some way to find some deeper meaning to our suffering, to find that God is somehow in it, and can even use it for good, we will normally close up and close down, and the second half of our lives will, quite frankly, be small and silly.

Richard Rohr