On this Very Street

On this Very Street in Belgrade
by Charles Simic

Your mother carried you
Out of the smoking ruins of a building
And set you down on this sidewalk
Like a doll bundled in burnt rags,
Where you now stood years later
Talking to a homeless dog,
Half-hidden behind a parked car,
His eyes brimming with hope
As he inched forward, ready for the worst.

A Noiseless Patient Spider

A Noiseless Patient Spider
Walt Whitman

A noiseless patient spider,
I mark’d where on a little promontory it stood isolated,
Mark’d how to explore the vacant vast surrounding,
It launch’d forth filament, filament, filament, out of itself,
Ever unreeling them, ever tirelessly speeding them.

And you O my soul where you stand,
Surrounded, detached, in measureless oceans of space,
Ceaselessly musing, venturing, throwing, seeking the spheres to connect them,
Till the bridge you will need be form’d, till the ductile anchor hold,
Till the gossamer thread you fling catch somewhere, O my soul.

your life is like a purse of gold

Your life is like a purse of gold:
day and night are like money changers.
Continually Time counts out that gold,
until your purse is emptied and death is here.

If you dig away at a mountain
and don’t replace anything of what you’ve taken
a desolate land is left behind.

So for every breath you breathe out,
put another in its place.
Fall in worship and draw near
so you may reach your aim.

Rumi

Elegant by Linda Gregg

All that is uncared for.
Left alone in the stillness
in that pure silence married
to the stillness of nature.
A door off its hinges,
shade and shadows in an empty room.
Leaks for light. Raw where
the tin roof rusted through.
The rustle of weeds in their
different kinds of air in the mornings,
year after year.
A pecan tree, and the house
made out of mud bricks. Accurate
and unexpected beauty, rattling
and singing. If not to the sun,
then to nothing and to no one.

It’s ok for the rich

Title Poem – Rainer Maria Rilke (trans. Robert Bly)

It’s O.K. for the rich and the lucky to keep still;
no one wants to know about them anyway.
But those in need have to step forward,
have to say: I am blind,
or: I’m about to go blind,
or: nothing is going well with me,
or: I have a child who is sick,
or: right there I’m sort of glued together…

And probably that doesn’t do anything either.

They have to sing; if they didn’t sing, everyone
would walk past, as if they were fences or trees.

That’s where you hear good singing.

People really are strange: they prefer
to hear castratos in boy choirs.

But God himself comes and stays a long time
when the world of half-people start to bore him.

At the earliest ending of winter

Not Ideas About the Thing but the Thing Itself
BY WALLACE STEVENS

At the earliest ending of winter,
In March, a scrawny cry from outside
Seemed like a sound in his mind.

He knew that he heard it,
A bird’s cry, at daylight or before,
In the early March wind.

The sun was rising at six,
No longer a battered panache above snow . . .
It would have been outside.

It was not from the vast ventriloquism
Of sleep’s faded papier-mâché . . .
The sun was coming from outside.

That scrawny cry—it was
A chorister whose c preceded the choir.
It was part of the colossal sun,

Surrounded by its choral rings,
Still far away. It was like
A new knowledge of reality.

“Not Ideas About the Thing but the Thing Itself”, from The Collected Poems of Wallace Stevens

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Photo, Solvang, CA – December 2017