The cosmic dance

What is serious to men is often very trivial in the sight of God. What in God might appear to us as “play” is perhaps what he Himself takes most seriously. At any rate, the Lord plays and diverts Himself in the garden of His creation, and if we could let go of our own obsession with what we think is the meaning of it all, we might be able to hear His call and follow Him in His mysterious, cosmic dance. We do not have to go very far to catch echoes of that game, and of that dancing. When we are alone on a starlit night; when by chance we see the migrating birds in autumn descending on a grove of junipers to rest and eat; when we see children in a moment when they are really children; when we know love in our own hearts; or when, like the Japanese poet Bashō we hear an old frog land in a quiet pond with a solitary splash–at such times the awakening, the turning inside out of all values, the “newness,” the emptiness and the purity of vision that make themselves evident, provide a glimpse of the cosmic dance.

For the world and time are the dance of the Lord in emptiness. The silence of the spheres is the music of a wedding feast. The more we persist in misunderstanding the phenomena of life, the more we analyze them out into strange finalities and complex purposes of our own, the more we involve ourselves in sadness, absurdity and despair. But it does not matter much, because no despair of ours can alter the reality of things; or stain the joy of the cosmic dance which is always there. Indeed, we are in the midst of it, and it is in the midst of us, for it beats in our very blood, whether we want it to or not.

Yet the fact remains that we are invited to forget ourselves on purpose, cast our awful solemnity to the winds and join in the general dance.


–Thomas Merton, New Seeds of Contemplation

sometimes a man – Rilke

Sometimes a man stands up during supper and walks outdoors, and keeps on walking, because of a church that stands somewhere in the East.

And his children say blessings on him as if he were dead.

And another man, who remains inside his own house, stays there, inside the dishes and the glasses, so that his children have to go far out into the world toward that same church, which he forgot.

Tuscana

Hu

“Hu,” the aspirant, breathy sound made at the end of the word Allah, is a sound that is hidden as a divine Name within each recitation of Allah. The relationship that Allah and Hu have with each other describes the nature of ecstasy. It does so by conveying that there is a secret within the secret. The subtle way the sound “Hu” arises at the end of the invocation “Allah” also suggests an infinite process of essence of essence of essence…

– physicians of the heart, p. 190

if you don’t have – Rumi

if you don’t have
enough madness in you
go and rehabilitate yourself

if you’ve lost a hundred times
the chess game of this life
be prepared to lose one more

if you’re the wounded string
of a harp on this stage
play once more then resonate no more

if you’re that exhausted bird
fighting a falcon for too long
make a comeback and be strong

you’ve carved a wooden horse
riding and calling it real
fooling yourself in life

though only a wooden horse
ride it again my friend
and gallop to the next post

you’ve never really listened
to what God has always
tried to tell you

yet you keep hoping
after your mock prayers
salvation will arrive